為了不搞混..此篇報廢..
版主: holy-solo
...對聯越來越OOXX了.........
比賽活動多多~各類賽制都有~獎品超豐富~歡迎大家來玩^^~
http://www.facebook.com/pages/CardMaster/149274678962
CardMasterGames網站 / visit us at
http://www.cardmaster.tw
http://www.facebook.com/pages/CardMaster/149274678962
CardMasterGames網站 / visit us at
http://www.cardmaster.tw
-
Ice of Wizard
- 旅法師
- 文章: 744
- 註冊時間: 2005-05-03 12:25 pm
官網的解釋(最下面)基度山伯爵 寫:話說我剛剛到回去看了一下紅藍公會長...
牠背景敘述的那一排公式到底是怎麼一回事啊!?!?="=
http://www.wizards.com/default.asp?x=mtgcom/daily/mc21
It's the first and last thing Niv-Mizzet would say – in the quizzical sort of language that the Izzet mind easily deciphers
For starters, I'm not going to give you any clues as to what this means. Instead I'm going to talk about an interesting discussion it created. Matt Cavotta is the member of the creative team responsible for names and flavor text. During the flavor text process, Mark Gottlieb came up with the flavor text above. Matt liked it and put it onto the card. As Matt always does, he asked R&D for any comments, and he got quite a few. Many of which did not like the flavor text.
「What does it mean?」 they asked.
「That's for you to figure out,」 Matt replied.
This led to an interesting debate about the merits of flavor text. What exactly is the role of flavor text? Some said it was to entertain. And not being able to understand it, wasn't fun some said. Others replied that figuring it out was plenty fun. And even the act of not knowing could be fun unto itself. Others liked that the flavor text prompted action on the behalf of the reader. Few pieces of flavor text force action on the part of the reader. Like most aspects in this discussion, this was a plus to some of R&D and a minus to others.
In the end, Matt supported the decision for two reasons. One, he liked it. And two, Matt understood that any piece of flavor text that could rally such support while at the same time create such disgust was a winner. You see, part of creative is to evoke responses. While the majority of those responses should be positive, it's okay to occasionally provoke a different emotion. The worst fate for any piece of creative is to be ignored and forgotten. A piece that is beloved and behated (I'll keep using this word until the English language catches up.) clearly doesn't fall into that